Born in Ballarat, Victoria Barry grew up in the nearby goldfields town of Smythesdale. Following an occupation in engineering, Barry turned his attention to artistic fields and undertook formal studies at the University of Ballarat. Here, amongst the many art-forms undertaken and the introduction to wood-firing under the guidance of Master Potter Peter Pilven, Barry majored in Ceramics and completed his Degree in 1998. Memories of growing up in a country landscape and the remnants of the surrounding goldfields – mineshafts, clay-pits, abandoned huts, forests and farmland – was clearly evident in Barry’s selection of earthy art-forms and rustic glazes during this time; many of which he bring into play today, along with gained inspiration from his travels in broader fields.
Following his first solo exhibition in Melbourne, and being the recipient of a travel award, Barry’s journey led him to Japan where he followed the Old Kiln Trails, where he met and studied with prominent potters of Kyoto, Tokaname and Hagi. This heightened his already gained interests in Japanese ceramics – particularly teapots, beakers, bottles and bowls – from which Barry’s first two awards were for wood-fired Sake Bottle forms.
Following several solo and joint, local and interstate exhibitions; journeys of Alaska and Canada inspired a solo exhibition relating to the iconic Grain Silos of the vast prairie regions of Canada. New inspired forms from this exhibition culminated in further works being selected for the Fine Art Gallery of Ballarat permanent collection.
In 2010, a new body of earthy forms for a solo exhibition at Port Augusta Cultural Centre – Yarta Purtli, resulted from an awarded residency at Grindell’s Hut, courtesy of Port Augusta City Council and National Parks South Australia. Although this body of work held Japanese influences, further development in the field of ever expanding interests concerning surface textures and sculptural forms were presented. Ongoing stimulation from such exposed fields is not only influential in Barry’s work, but displays evidence of his strong roots and belief in country.
With vigor, inspiration is taken from nature, where landforms and textures feature strongly in continual pursuits of artistic interests. Barry says it is both an enjoyable and rewarding challenge to make such forms of art within the pleasant rural surroundings of his Red Echidna Studios at Smythes Creek, Victoria.